Jazz? Metal? Poetry? Score? Through improvisation, concept, and spoken word, the avant-metal trio and activist/artist score a narrative non-visual movie.
Believe The Hype?:
Believe the Hype
Believe The Hype blurb:
THE FILM is a showcase of intensity: SUMAC ably matches that of Irreversible Entanglements via alternate delivery, while Ayewa’s passion and spoken outbursts meet Aaron Turner’s guttural howl. Looking at the essence of both entities and their respective creative signatures, it’s somehow both remarkable and obvious how natural each of them sound together on this LP.
Moor Mother (a.k.a. Camae Ayewa) is no stranger to an unsettling backdrop. A righteous figure, one whose pen and prose are commanding enough to suck distraction away, Moor Mother’s authoritative voice and sharply authored observations seem to thrive before the ensemble-built stress of tumultuous improvisation, her band Irreversible Entanglements (not to mention the performances tied to her own solo work) often layering wild, scribbling brass and percussive freak-outs, cultivating pure discordance and provocation that are impossible to ignore.
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