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Rig Rundown: The Last Dinner Party
Дата публикации: 05-08-2026 15:16:00
Touring behind their 2025 record From the Pyre, English art-rockers the Last Dinner Party stopped at Nashville’s Pinnacle on June 10. PG’s John Bohlinger met up with the band ahead of the show, where guitarists Emily Roberts and Lizzie Mayland walked him through the key pieces of their road kits. Bassist Georgia Davies suffered an injury before the tour, so her tech Max Lilley was filling in on bass. Brought to you by D’Addario.When the Saints Come Marching InThis Ernie Ball Music Man St. Vincent signature has been Roberts’ primary guitar for the last four or five years. It features custom goldfoil pickups that are actually built using a Firebird profile for a brighter, aggressive sound.Fly AwayRoberts borrowed this Gibson Flying V from a relative, and it’s used for heavier rock songs in the setlist.British V PowerRoberts runs this Victory Copper and a Vox AC30 in stereo.Emily Roberts’ PedalboardAfter a JHS Mini A/B, Roberts runs a Lehle Mono Volume pedal, TC Electronic PolyTune 3, Fulltone OCD, Warm Audio Warm Chorus Vibrato, Supro Tremolo, Warm Audio Pedal76, Centura Klone, Boss EQ-9, Xotic Effects RC Booster, Boss Space Echo RE-202, Strymon BigSky, and Source Audio EQ.An RJM Music Technology Mastermind PBC helps navigate the stomps.Sneaky GreekThis Greco semi-hollow electric has replaced Mayland’s Nashville Tele as her main squeeze these days.Heavy HitterThis Fender Jazzmaster comes out for heavier, drop-tuned numbers.Hot-Rodded OxMayland uses two Fender Hot Rod DeVille IV amps (one clean, one dirty) paired with Universal Audio OX boxes to drive the amps while keeping stage volume reasonable.Lizzie Mayland’s PedalboardMayland runs two boards. The larger includes a Boss TU-3, EQD Arrows, MXR Dyna Comp, EQD Hummingbird, EQD Hoof Reaper, Strymon Timeline, and Strymon BigSky. Utility boxes include a Strymon Multi Switch Plus, Lehle Little Dual, GigRig QuarterMaster, and JHS Mini A/B.A small second board holds a Strymon Mobius, Hologram Infinite Jets, and GigRig Latchmo X2. Bass CampThis Fender American Vintage II Precision bass is used for most of the set.Baby BlueThis flashy Epiphone Jack Casady, strung with flatwound strings, provides a warm, round sound in the show.Super(bass)manLily runs Fender Super Bassman 800 heads with 6x10 cabinets.Georgia Davies’/Max Lilley’s PedalboardThe board runs a Dunlop Volume X Mini, Boss TU-3, Boss NS-2, EQD Blumes, Boss SY-1, Origin Effects Cali76, Darkglass Electronics Microtubes B3K, EHX Bass Clone, Boss DD-200, Tech 21 SansAmp Bass Driver DI, and a GigRig QuarterMaster to help with changes.
Основное содержимое страницы с новостью.
Touring behind their 2025 record From the Pyre, English art-rockers the Last Dinner Party stopped at Nashville’s Pinnacle on June 10. PG’s John Bohlinger met up with the band ahead of the show, where guitarists Emily Roberts and Lizzie Mayland walked him through the key pieces of their road kits. Bassist Georgia Davies suffered an injury before the tour, so her tech Max Lilley was filling in on bass. Brought to you by D’Addario.
When the Saints Come Marching In
This Ernie Ball Music Man St. Vincent signature has been Roberts’ primary guitar for the last four or five years. It features custom goldfoil pickups that are actually built using a Firebird profile for a brighter, aggressive sound.
Fly Away
Roberts borrowed this Gibson Flying V from a relative, and it’s used for heavier rock songs in the setlist.
British V Power
Roberts runs this Victory Copper and a Vox AC30 in stereo.
Emily Roberts’ Pedalboard
After a JHS Mini A/B, Roberts runs a Lehle Mono Volume pedal, TC Electronic PolyTune 3, Fulltone OCD, Warm Audio Warm Chorus Vibrato, Supro Tremolo, Warm Audio Pedal76, Centura Klone, Boss EQ-9, Xotic Effects RC Booster, Boss Space Echo RE-202, Strymon BigSky, and Source Audio EQ.
An RJM Music Technology Mastermind PBC helps navigate the stomps.
Sneaky Greek
This Greco semi-hollow electric has replaced Mayland’s Nashville Tele as her main squeeze these days.
Heavy Hitter
This Fender Jazzmaster comes out for heavier, drop-tuned numbers.
Hot-Rodded Ox
Mayland uses two Fender Hot Rod DeVille IV amps (one clean, one dirty) paired with Universal Audio OX boxes to drive the amps while keeping stage volume reasonable.
Lizzie Mayland’s Pedalboard
Mayland runs two boards. The larger includes a Boss TU-3, EQD Arrows, MXR Dyna Comp, EQD Hummingbird, EQD Hoof Reaper, Strymon Timeline, and Strymon BigSky. Utility boxes include a Strymon Multi Switch Plus, Lehle Little Dual, GigRig QuarterMaster, and JHS Mini A/B.
A small second board holds a Strymon Mobius, Hologram Infinite Jets, and GigRig Latchmo X2.
Bass Camp
This Fender American Vintage II Precision bass is used for most of the set.
Baby Blue
This flashy Epiphone Jack Casady, strung with flatwound strings, provides a warm, round sound in the show.
Super(bass)man
Lily runs Fender Super Bassman 800 heads with 6x10 cabinets.
Georgia Davies’/Max Lilley’s Pedalboard
The board runs a Dunlop Volume X Mini, Boss TU-3, Boss NS-2, EQD Blumes, Boss SY-1, Origin Effects Cali76, Darkglass Electronics Microtubes B3K, EHX Bass Clone, Boss DD-200, Tech 21 SansAmp Bass Driver DI, and a GigRig QuarterMaster to help with changes.
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Классификация: . Схожих патентов: 0. Схожих новостей: 10. Тональность: 0. Информативность: 16.27. Источник: www.premierguitar.com.